Vidyut Jammwal and Shivaleeka Oberoi starrer KHUDA HAAFIZ is a well-paced motion thriller that works mainly because of the script, course and performances of Vidyut Jammwal and Annu Kapoor.

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Over the previous few weeks, viewers acquired an opportunity to see biopics of extraordinary personalities like Gunjan Saxena and Shakuntala Devi. However these are personalities whose greatness is already recognized to an extent. There are a lot of who’ve finished unbelievable feats of their lives and hardly anybody would pay attention to it. Faruk Kabir, who has made ALLAH KE BANDAY [2010] and a few internet collection prior to now, tells one such story in his newest outing, KHUDA HAAFIZ. It stars Vidyut Jammwal, who has created a fan base of his personal due to his motion movies. So does KHUDA HAAFIZ handle to entertain and thrill? Or does it fail to impress? Let’s analyse.

KHUDA HAAFIZ is the story of a easy man whose spouse goes lacking below mysterious circumstances in another country. In October 2007, Lucknow-based Sameer (Vidyut Jammwal), a software program engineer, will get into an organized marriage with Nargis (Shivaleeka Oberoi). Each fall in love with one another very quickly. All goes nicely till recession strikes the world. Sameer has to close down his enterprise. Even Nargis is fired from her office. They hunt for jobs however three months go and so they fail to get employment. With no different alternative, they apply for a job within the Center-Japanese nation of Noman via an agent named Nadeem (Vipin Sharma). Nargis will get the job first and he or she is requested to go away for Noman the very subsequent day. Sameer is apprehensive however Nadeem assures that she’ll be protected there. He additionally tells Sameer that the latter’s job affirmation discover also needs to come inside 5-6 days after which he can unite together with his spouse. Nargis thus flies alone to Noman. Subsequent day she calls Sameer and seems distressed. She is crying and he or she tells him that this isn’t the job she signed up for. Earlier than she might say the rest, the telephone name ends. A shocked Sameer winds up at Nadeem’s workplace together with the cops. Nadeem feigns ignorance. Sameer instantly flies to Noman’s capital metropolis, Noor Us Saba the place Nargis has supposedly acquired the job. Exterior the airport, Sameer meets a kind-hearted taxi driver, Usman Ali Murad (Annu Kapoor) and he tells him to take him to the handle of Nargis’s office. Usman tells him that this handle is inaccurate. The cops at Noor Us Saba refuse to assist him until he will get an approval from the Indian Embassy. On the embassy, he doesn’t get well timed assist as the highest officer I Ok Mishra (Ikhlaque Khan) is away. Sameer now has just one clue – the telephone quantity from the place he acquired Nargis’s name. From the cellular firm, he manages to seek out out the title and handle of the individual proudly owning the quantity. It seems to be that of an individual named Parvez Shirazi who resides in a city named Baith Us Saif, positioned 300 kms away. Sameer reaches there instantly. Coincidentally, it’s additionally the hometown of Usman and he helps him within the search. They understand that Parvez is concerned in flesh commerce. Sameer’s world comes crashing down. Nonetheless, he goes to the brothel, impersonating as a consumer and manages to find Nargis. The pimp (Gowhar Khan) nevertheless realizes that Sameer is aware of her and assaults. Sameer too fights again however fails to rescue Nargis. He and Usman escape and are chased by the goons. They nearly handle to run away however then meet with a minor accident. The cops wind up and arrest Sameer. What occurs subsequent varieties the remainder of the movie.

Faruk Kabir’s story is sort of attention-grabbing and match for a business movie. The primary 30-35 minutes may remind considered one of BAAGHI three [2020] which additionally handled the protagonist’s shut member of the family disappearing in a middle-eastern nation. Furthermore, BAAGHI three additionally reveals the protagonist discovering out about his brother’s disappearance whereas he was on a name with him! Fortunately, as soon as Sameer reaches Noman, the movie doesn’t even appear remotely just like the Tiger Shroff starrer. Faruk Kabir’s screenplay is participating. The movie strikes at an ideal tempo and the main target is on the precept plot from begin to end. However there are occasions when the movie strikes too quick and therefore, one won’t get emotionally hooked up to sure characters. Faruk Kabir’s dialogues are respectable.

Vidyut Jammwal: “UNLEARNING was probably the most AMAZING studying course of in Khuda Haafiz”| Shivaleeka Oberoi | Faruk Kabir

Faruk Kabir’s course is sort of good. On the optimistic aspect, the movie is sort of fast-paced. There are some nice dramatic and motion moments that maintain curiosity. Additionally, the director deserves reward as he doesn’t make the movie appears to be like sleazy although it offers with trafficking and intercourse commerce. Additionally, no merchandise track is added for the heck of it. On the flipside, the movie has its share of cinematic liberties. The way by which Sameer manages to flee from the brothel and even from the airport raises eyebrows. Sameer’s very closing combat might have been higher considered. Lastly, the courtship interval of Sameer and Nargis is proven too shortly and maybe a little bit extra time might have been taken to discover their relationship for a greater affect.

KHUDA HAAFIZ begins on an intriguing observe. Sameer is already captured by the cops on overseas soil after which the movie goes on a flashback mode as he narrates his story to the Indian Embassy official. Not a lot time is spent in displaying how love blossomed between Sameer and Nargis and their eventual marriage. The director quickly involves the purpose the place Nargis leaves for Noman and the way she disappears. Sameer reaching Noman and attempting to find his lacking spouse retains the curiosity going. The perfect a part of the primary half clearly is when Sameer goes on a rampage within the brothel in Baith Us Saif after which has a dramatic escape. The entry of Faiz Abu Malik (Shiv Panditt) and Tamena Hamid (Aahana Kumra) add to the insanity. The movie additionally slips in the course of the second hour. But it surely picks up within the closing act as soon as Sameer reaches the place of Itzak Regini (Nawab Shah). From right here until the finale, the movie retains one on the fringe of the seat.

Vidyut Jammwal performs a standard man right here and does his share of motion. Efficiency-wise, he’s respectable and shines in some emotional scenes. Sadly, in a few locations, he goes a bit excessive. Shivaleeka Oberoi doesn’t get a lot scope however is okay and has an excellent display presence. Annu Kapoor is great and fairly endearing. Shiv Panditt leaves a mark together with his efficiency and accent, regardless of his late entry. Similar goes for Aahana Kumra. Ikhlaque Khan is satisfactory. Nawab Shah performs the villainous position nicely. Vipin Sharma is reliable as all the time. Gowhar Khan, Shahnawaz Pradhan (Sameer’s father), Gargi Patel (Sameer’s mom), Mohit Chauhan (Nargis’s father), Suparna Marwah (Nargis’s mom), Rio Kapadia (ISA Commissioner Ali Azam Ghazi), Tamara Mirmahsudova (Usman’s spouse) and Kinal Muchhala (Sonia Singh; worker at Indian embassy) are fantastic.

Mithoon’s music is nothing nice. The movie doesn’t have the scope for music. The title track stands out a bit due to the Arabic really feel whereas ‘Aakhri Kadam Tak’ registers a bit due to the scenario by which it’s performed. ‘Jaan Ban Gaye’ and ‘Mera Intezaar Karna’ are forgettable. Amar Mohile’s background rating is sort of higher and exhilarating. Jitan Harmeet Singh’s cinematography is spectacular and the assorted locales of Uzbekistan are nicely captured. Bijon Das Gupta, Ranjit Singh and Prerna Kathuria’s manufacturing design are genuine. Divvya Gambhur and Nidhhi Gambhir’s costumes are interesting and in sync with the character’s ethnicity. Ivanov Victor and Andreas Nguyen’s motion could be very violent and gory. It’s positively not for the faint-hearted. NY VFXWaala’s VFX is truthful. Sandeep Francis’s modifying is speedy.

On the entire, KHUDA HAAFIZ is a well-paced motion thriller that works mainly because of the script, course and performances of Vidyut Jammwal and Annu Kapoor.



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